Resistance
Censorship tries to erase. Resistance remembers.
In this final layer, the black lettering from the second layer (spelling ممنوع mamnooʿ) is scratched and chipped away, symbolizing an effort to reveal what has been hidden and to reject the imposed censorship. The act of scratching demands for the first layer to reappear and assert its presence once again.
This process symbolizes more than removal. It represents how truth, memory, and creative expression can resurface despite efforts to silence them. The act of erasure cannot fully destroy the voices that once spoke.
They remain beneath the surface, waiting to be revealed.
Shamim Ara
Pakistani actress, director, and producer. Prominent figure in Pakistani cinema during the 1960s and 70s, recognized for her memorable roles and her contributions as one of the early women filmmakers in the industry.
Resistance in Pakistani Cinema
Filmmakers
Despite bans, harassment, and social backlash, filmmakers such as Sarmad Khoosat (Zindagi Tamasha), Shoaib Mansoor (Verna), and Saim Sadiq (Joyland) have refused to abandon the difficult stories that must be told.
Sarmad Khoosat stated:
"If I alienate my primary audience in Pakistan, that’s a big fail. This film was made with a very local heart for the local people."
His words reflect a deeper resistance: the determination to speak to, for, and within the communities that need these stories most.
Audiences
Public outcry, especially from young people, women’s rights groups, and artists, has challenged censorship decisions. When Joyland was banned, widespread protest forced a partial reversal of the ban.
Audiences have become not just passive viewers but active defenders of creative freedom.
Diaspora & Global Platforms
While films banned in Pakistan have found audiences abroad, this global visibility has raised important questions.
Who gets to hear these stories? Who remains excluded when the communities represented in these films cannot see themselves on screen?
Resistance includes not only creating art but also ensuring access and representation.
Voices from the Industry
(Shakil & Zuhudi, 2024)
Filmmakers and actors interviewed in a 2024 study expressed both frustration and determination:
"The pressure from political or philosophical groups is palpable and often influences the content of movies."
"We often threaten our own creative expression, leading to self-censorship and biased reporting."
"Films that challenge norms face backlash. But the backlash also shows that people are watching. They care."
Even under constant pressure, they continue to create.
What We Strive to Take Away
This final layer of When Screens Go Dark is not just about defiance. It is about:
Resilience. Silenced voices endure.
Solidarity. Artists and audiences stand together.
Memory. Stories banned today become the histories of tomorrow.
The public has a role in this resistance. By listening, amplifying, and protecting the right to tell difficult stories, we all contribute to the survival of creative freedom.
Al Jazeera. 2022. “Joyland banned in Pakistan after Cannes success.” Al Jazeera, November 14. Retrieved from https://www.aljazeera.com/news/2022/11/14/joyland-banned-in-pakistan-cannes.
The Express Tribune. 2023. “I did not tell this tale out of enmity: Sarmad Khoosat opens up on Zindagi Tamasha.” The Express Tribune, September 4. Retrieved from https://tribune.com.pk/story/2433524/i-did-not-tell-this-tale-out-of-enmity-sarmad-khoosat-opens-up-on-zindagi-tamasha.
The Friday Times. 2023. “Zindagi Tamasha: Unsettling the Settled.” The Friday Times, August 18. Retrieved from https://thefridaytimes.com/18-Aug-2023/zindagi-tamasha-unsettling-the-settled.
The Guardian. 2021. “How Pakistan banned a new drama then put it up for an Oscar.” The Guardian, January 22. Retrieved from https://www.theguardian.com/film/2021/jan/22/how-pakistan-banned-a-new-drama-then-put-it-up-for-an-oscar.
Time Magazine. 2022. “Joyland Director Saim Sadiq on His Groundbreaking Film and the Fight for LGBTQ Rights in Pakistan.” Time, November 18. Retrieved from https://time.com/6236467/joyland-pakistan-saim-sadiq-interview.
WYPR. 2023. “Briefly banned, Pakistan’s ground-breaking Joyland is now a world cinema success.” WYPR Arts, April 13. Retrieved from https://www.wypr.org/wypr-arts/wypr-arts/2023-04-13/briefly-banned-pakistans-ground-breaking-joyland-is-now-a-world-cinema-success.
Shakil, Ayesha & Zuhudi, Mariam. 2024. "Freedom of Expression in Films: A Qualitative Study Exploring Challenges and Opportunities in Pakistan." Journal of Media and Cultural Studies, Taylor’s University. Retrieved from https://fslmjournals.taylors.edu.my/freedom-of-expression-in-films-a-qualitative-study-exploring-challenges-and-opportunitiesin-pakistan.